“On This Day I Complete My Thirty-Sixth Year”
The side-by-side poems.
Lord Byron and Kaila Rose
On this Day I Complete my Thirty-Sixth Year
Missolonghi, Jan. 22 1824
'Tis time this heart should be unmoved,
Since others it hath ceased to move:
Yet though I cannot be beloved,
Still let me love!
My days are in the yellow leaf;
The flowers and fruits of Love are gone;
The worm—the canker, and the grief
Are mine alone!
The fire that on my bosom preys
Is lone as some Volcanic Isle;
No torch is kindled at its blaze
A funeral pile.
The hope, the fear, the jealous care,
The exalted portion of the pain
And power of Love I cannot share,
But wear the chain.
But 'tis not thus—and 'tis not here
Such thoughts should shake my Soul, nor now,
Where Glory decks the hero's bier,
Or binds his brow.
The Sword, the Banner, and the Field,
Glory and Greece around us see!
The Spartan borne upon his shield
Was not more free.
Awake (not Greece—she is awake!)
Awake, my Spirit! Think through whom
Thy life-blood tracks its parent lake
And then strike home!
Tread those reviving passions down
Unworthy Manhood—unto thee
Indifferent should the smile or frown
Of beauty be.
If thou regret'st thy Youth, why live?
The land of honourable Death
Is here:—up to the Field, and give
Away thy breath!
Seek out—less often sought than found—
A Soldier's Grave, for thee the best;
Then look around, and choose thy Ground,
And take thy rest.
On this Day I Complete my Thirty-Sixth Year
Brooklyn, Oct. 13 2023
The age of boundaries has been met,
As efforts vanquished are routine.
Even so, death has not come yet,
Grass may prove green!
But, Autumn's my constant season:
Her gift of endings strikes a chord;
Harvest—then the rotting region
My face turns toward!
The burning flame has cleansed my heart
On Islands barren freedom grows.
No need for others to take part
'Tis mine to sow!
Observing fools upon Love's quest —
Chasing conquests not theirs to win —
Seems such a waste of time, at best.
I'll don my grin!
Life's not just this—can't just be that
These mindless musings stun, not wake.
For look around where heroes sat:
Shed skins like snakes!
The Book, the Painting, and the Shield,
Knowledge, Safety surrounding me!
The Artist on job market's field
Is not as free.
Arise (not Art—she is risen!)
Arise, my Mind! Remember whose
Corpus Nature has thus given.
It's time to choose!
Become more present for thy goals
Forgetting loses—unto thee
Unheeding should the wins or tolls
Of Virtue be.
You've accomplished a lot, so go!
Landscapes of creativity
Await:—depart from your past roles
And fight for B!
Go find—less enticing to most—
The Pulpit, to rally your band.
Then sing aloud to raise a toast
And take your stand.
"The slain were born on their shields—witness the Spartan mother's speech to her son, delivered with his buckler—'Either with this or on this'" (Byron's manuscript note).
Artists still work for money. Observe the New York Times' article "Why is a Day Job Seen as a Mark of an Artist's Failure?": "Day jobs provide stability through the feast-or-famine cycles of gallery sales. At the same time, 'being able to give up your day job is a sign of upward mobility.'. . . The semiotic landscape of consumer society urges us to pretend that gigs are art forms, when in fact they’re just jobs that sap your creativity. Of course, says society, if you want to be a true artist, you can always suffer and starve.” (Kaila's manuscript note).
Byron wrote his poem as he was turning 36. I, however, am writing this poem as I actually "complete" my 36th year. I always thought that was more fitting.