“On This Day I Complete My Thirty-Sixth Year”

Side-by-side poems

The side-by-side poems.

Lord Byron and Kaila Rose

On this Day I Complete my Thirty-Sixth Year

Missolonghi, Jan. 22 1824

'Tis time this heart should be unmoved,

       Since others it hath ceased to move:

Yet though I cannot be beloved,

                                    Still let me love!

   My days are in the yellow leaf;

       The flowers and fruits of Love are gone;

The worm—the canker, and the grief

                                    Are mine alone!

   The fire that on my bosom preys

       Is lone as some Volcanic Isle;

No torch is kindled at its blaze

                                    A funeral pile.

   The hope, the fear, the jealous care,

       The exalted portion of the pain

And power of Love I cannot share,

                                    But wear the chain.

   But 'tis not thus—and 'tis not here

       Such thoughts should shake my Soul, nor now,

Where Glory decks the hero's bier,

                                    Or binds his brow.

   The Sword, the Banner, and the Field,

       Glory and Greece around us see!

The Spartan borne upon his shield

                                    Was not more free.

   Awake (not Greece—she is awake!)

       Awake, my Spirit! Think through whom

Thy life-blood tracks its parent lake

                                    And then strike home!

   Tread those reviving passions down

       Unworthy Manhood—unto thee

Indifferent should the smile or frown

                                    Of beauty be.

   If thou regret'st thy Youth, why live?

       The land of honourable Death

Is here:—up to the Field, and give

                                    Away thy breath!

   Seek out—less often sought than found—

       A Soldier's Grave, for thee the best;

Then look around, and choose thy Ground,

                                    And take thy rest.

On this Day I Complete my Thirty-Sixth Year

Brooklyn, Oct. 13 2023

The age of boundaries has been met,

       As efforts vanquished are routine.

Even so, death has not come yet,

                                    Grass may prove green!

But, Autumn's my constant season:

       Her gift of endings strikes a chord;

Harvest—then the rotting region

                                    My face turns toward!

The burning flame has cleansed my heart

       On Islands barren freedom grows.

No need for others to take part

                                    'Tis mine to sow!

Observing fools upon Love's quest —

       Chasing conquests not theirs to win —

Seems such a waste of time, at best.

                                    I'll don my grin!

Life's not just this—can't just be that

       These mindless musings stun, not wake.

For look around where heroes sat:

                                    Shed skins like snakes!

The Book, the Painting, and the Shield,

       Knowledge, Safety surrounding me!

The Artist on job market's field

                                    Is not as free.

Arise (not Art—she is risen!)

       Arise, my Mind! Remember whose

Corpus Nature has thus given.

                                    It's time to choose!

Become more present for thy goals

       Forgetting loses—unto thee

Unheeding should the wins or tolls

                                    Of Virtue be.

You've accomplished a lot, so go!

       Landscapes of creativity

Await:—depart from your past roles

                                    And fight for B!

Go find—less enticing to most—

       The Pulpit, to rally your band.

Then sing aloud to raise a toast

                                    And take your stand.

  1. "The slain were born on their shields—witness the Spartan mother's speech to her son, delivered with his buckler—'Either with this or on this'" (Byron's manuscript note).

  2. Artists still work for money. Observe the New York Times' article "Why is a Day Job Seen as a Mark of an Artist's Failure?": "Day jobs provide stability through the feast-or-famine cycles of gallery sales. At the same time, 'being able to give up your day job is a sign of upward mobility.'. . . The semiotic landscape of consumer society urges us to pretend that gigs are art forms, when in fact they’re just jobs that sap your creativity. Of course, says society, if you want to be a true artist, you can always suffer and starve.” (Kaila's manuscript note).

  3. Byron wrote his poem as he was turning 36. I, however, am writing this poem as I actually "complete" my 36th year. I always thought that was more fitting.

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